Thursday, 2 August 2012

Barn

Older barns were usually built from lumber sawn from timber on the farm, although stone barns were sometimes built in areas where stone was a cheaper building material.

Modern barns are more typically steel buildings. Prior to the 1900s, most barns were timber framed (also known as post and beam) forming very strong structures to withstand storms and heavy loads of animal feed. From about 1900 to 1940, many large dairy barns were built in northern USA. These commonly have gambrel or hip roofs to maximize the size of the hay loft above the dairy roof, and have become associated in the popular image of a dairy farm. The barns that were common to the wheatbelt held large numbers of pulling horses such as Clydesdales or Percherons. These large wooden barns, especially when filled with hay, could make spectacular fires that were usually total losses for the farmers. With the advent of balers it became possible to store hay and straw outdoors in stacks surrounded by a plowed fireguard. Many barns in the northern United States are painted barn red with a white trim. One possible reason for this is that ferric oxide, which is used to create red paint, was the cheapest and most readily available chemical for farmers in New England and nearby areas. Another possible reason is that ferric oxide acts a preservative and so painting a barn with it would help to protect the structure.

With the popularity of tractors following World War II many barns were taken down or replaced with modern Quonset huts made of plywood or galvanized steel. Beef ranches and dairies began building smaller loftless barns often of Quonset huts or of steel walls on a treated wood frame (old telephone or power poles). By the 1960s it was found that cattle receive sufficient shelter from trees or wind fences (usually wooden slabs 20% open).

Friday, 19 August 2011

The Barn

The Barn is a recording studio on the property of Phish guitarist Trey Anastasio, located in the Green Mountains near Burlington, Vermont.

The door of the outhouse on the south side of the barn serves as the cover of Phish's Farmhouse album.
Actual location of the Barn is a secret among Phish Phans.

Reconstructed between 1996 and 1998 from an existing structure, the Alan Irish Barn, The Barn has been used by Phish to record several albums and has hosted all of Anastasio's projects since 1998. In addition, several other artists have recorded or performed at The Barn, including Béla Fleck, John Patitucci, DJ Logic, Toots & the Maytals, Tony Levin, Umphrey's McGee, The Slip, John Medeski, Jerry Douglas, Patty LaBelle, Leo Kottke and Addison Groove Project.

The Barn now serves as the home to the Seven Below Arts Initiative, a non-profit organization formed to advance arts education in Vermont. Following Anastasio's sold-out benefit shows at Webster Hall in New York City, The Barn was modified from a commercial recording facility into an artistic studio, providing housing and studio space to artists participating in the Seven Below residency program. Seven Below has been working with Burlington City Arts to facilitate arts education activities to under-served populations since 2007.
In 2009, Anastasio placed his Vermont home up for sale, which is a completely different location from The Barn